
The Caswell 1987 Mod recreates the legendary #39 sound with aggressive, harmonically rich gain, explosive punch, and classic late-’80s LA grind. Built on the Hot Mod V2 platform, it delivers everything from tight crunch to saturated lead tones, with enhanced low-end thump, cutting upper-mid bite, and unmistakable arena-ready attitude—no permanent amp modification required.
The Mr. Scary Mod is a George Lynch–approved tube gain module that adds everything from subtle drive to searing saturation to classic Marshall-style amps, with no permanent modification and exceptional clarity, dynamics, and touch response.

The Hot Mod V2 EVO is a plug-in dual-tube gain module that adds 100% pure valve gain, increased sustain, and expanded tonal range to Marshall-style amps, with no permanent modification. Low-noise, highly articulate, and responsive to your guitar’s volume, it delivers everything from subtle drive to full high-gain tones with selectable bass shaping and two gain stages.
1986, 1987, 1987T, 1959, 1959HW (reissue), 1962,1968, 1992, 2203*, 2204*, 2104, 2103, 1989, 2245 (JTM 45)
*2203 and 2204 amps (and related 2103, 2104 combos) made from 1976 until about early 1979 didn’t use shielded wire for pin 7 of the V1 tube. This wire is sensitive when added gain is put into the circuit and can cause oscillation/squeal when the preamp gain control is moved to about 6 or above. The correction, which Marshall did from the factory from around early 1979 and later, is to use shielded wire for that particular pin 7 and replace the non-shielded green wire.
This is an encouraged update that should be made to the earlier amps by a professional tech so that they will operate more quietly, with or without the HMV2/Lynch Mod added to the circuit. This upgrade can be done at Overdrive Guitars.
1987, 1959, 2103, 2203, 2203KK, 2104, 2204,
2205 (1981-1983 models only),
2210 (1981-1983 models only),
4010, 4103, 4104,
4210 (1981-1983 only),
4211(1981-1983 only),
4212 (1981-1983 only)
2500, 2501, 2502, 2100, 2101
TSL 60 (in V3). For others, see reverse wire options below!
Standard wire in V3. Requires socket extender (now included with all orders as of 3/11/24 onward) and combo fastener kit. Available to order separately.
Standard wire in V3
1987x (pre-2003 without Marshall factory effects loop), 1959 (without factory effects loop), 2245THW (handwired JTM 45 reissue), 1959 YJM
This new series of mini 20 watt heads require the removal of the L bracket and thumbscrew so that the units can fit into the PCB-mounted socket in the amp which does not use a base tube shield.
SC20H/SV20H heads – Standard wire compatible in V2
SC20C/SC20C combos when fitted with fastener kit, ordered separately.
Reissue (all years), 2203ZW (Zakk Wylde signature)
Model year 2003+ w/Marshall added effects loop
w/Marshall added effects loop
Randy Rhoads Signature
Model 2245, Bluesbreaker reissue combo 1962
Reverse wire model is compatible with socket extension now included with all orders.
Silver Jubilee Series
Vintage Modern Series
Origin Series
Any of the 'Mark' Series Amps.
Carvin Amps
Bugera 1960
Hiwatt DR Series
With amps such as those by Friedman, Mesa, and Soldano, it may seem counterintuitive to consider using our mods. However, our mods insert gain in an amp’s LATER stages, so what it enables is the ability to reduce the gain at the initial preamp front end control panel and get more articulation and/or put the amp in the “sweet spot” by not overusing its initial gain. Preamp gain controls generally don’t sound good in amps when they are maxed as they become loose/flubby. So by reducing the initial preamp gain on the amp but then adding the mod “downstream” in the circuit at the tone stack, you can bring back the needed sustain while also maintaining your note articulation. The feel is very different from boosting the entire front end with a pedal though there is absolutely nothing wrong with that approach either. With our mods, it’s NOT just about “adding more gain” in these applications but rather maintaining definition and note articulation with newly added sustain by the way the mods deploy the gain within the circuit. MANY customers have discovered this application in higher gain amplifiers and are enjoying the results.

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