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Official U.K. Dealer

Caswell 1987 Mod

Caswell 1987 Mod

Caswell 1987 Mod

The Caswell 1987 Mod recreates the legendary #39 sound with aggressive, harmonically rich gain, explosive punch, and classic late-’80s LA grind. Built on the Hot Mod V2 platform, it delivers everything from tight crunch to saturated lead tones, with enhanced low-end thump, cutting upper-mid bite, and unmistakable arena-ready attitude—no permanent amp modification required.

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Mr. Scary Mod

Caswell 1987 Mod

Caswell 1987 Mod

The Mr. Scary Mod is a George Lynch–approved tube gain module that adds everything from subtle drive to searing saturation to classic Marshall-style amps, with no permanent modification and exceptional clarity, dynamics, and touch response.

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Hot Mod V2

Caswell 1987 Mod

Hot Mod V2

The Hot Mod V2 EVO is a plug-in dual-tube gain module that adds 100% pure valve gain, increased sustain, and expanded tonal range to Marshall-style amps, with no permanent modification. Low-noise, highly articulate, and responsive to your guitar’s volume, it delivers everything from subtle drive to full high-gain tones with selectable bass shaping and two gain stages.

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HOT MOD V2/MR. SCARY/1987 MOD COMPATIBILITY - Standard Wire

MARSHALL (VINTAGE, JMP):

1986, 1987, 1987T, 1959, 1959HW (reissue), 1962,1968, 1992, 2203*, 2204*, 2104, 2103, 1989, 2245 (JTM 45)

*2203 and 2204 amps (and related 2103, 2104 combos) made from 1976 until about early 1979 didn’t use shielded wire for pin 7 of the V1 tube. This wire is sensitive when added gain is put into the circuit and can cause oscillation/squeal when the preamp gain control is moved to about 6 or above. The correction, which Marshall did from the factory from around early 1979 and later, is to use shielded wire for that particular pin 7 and replace the non-shielded green wire. 

This is an encouraged update that should be made to the earlier amps by a professional tech so that they will operate more quietly, with or without the HMV2/Lynch Mod added to the circuit. This upgrade can be done at Overdrive Guitars.

MARSHALL JCM 800:

1987, 1959, 2103, 2203, 2203KK, 2104, 2204,

2205 (1981-1983 models only),

2210 (1981-1983 models only),

4010, 4103, 4104,

4210 (1981-1983 only),

4211(1981-1983 only),

4212 (1981-1983 only)

MARSHALL JCM 900:

2500, 2501, 2502, 2100, 2101

MARSHALL JCM 2000:

TSL 60 (in V3). For others, see reverse wire options below!

MARSHALL DSL40 C/CR:

Standard wire in V3. Requires socket extender (now included with all orders as of 3/11/24 onward) and combo fastener kit.  Available to order separately.

MARSHALL DSL100H:

Standard wire in V3

MARSHALL VINTAGE REISSUE:

1987x (pre-2003 without Marshall factory effects loop), 1959 (without factory effects loop), 2245THW (handwired JTM 45 reissue), 1959 YJM

MARSHALL STUDIO:

This new series of mini 20 watt heads require the removal of the L bracket and thumbscrew so that the units can fit into the PCB-mounted socket in the amp which does not use a base tube shield.

SC20H/SV20H heads – Standard wire compatible in V2

SC20C/SC20C combos when fitted with fastener kit, ordered separately.

HOT MOD V2/MR. SCARY/1987 MOD COMPATIBILITY - Reverse WIRE

JCM 800 ZW & 2203X Reissue

Reissue (all years), 2203ZW (Zakk Wylde signature)

1987X

Model year 2003+ w/Marshall added effects loop

1959SLP

w/Marshall added effects loop

1959RR

Randy Rhoads Signature

JTM 45 REISSUE

Model 2245, Bluesbreaker reissue combo 1962

MARSHALL JCM 2000 SERIES DSL/TSL 50/100

Reverse wire model is compatible with socket extension now included with all orders.

POPULAR AMPS THAT THE MODS 'DO NOT WORk' with:

Marshall

Silver Jubilee Series

Vintage Modern Series

Origin Series

Mesa Boogie

Any of the 'Mark' Series Amps.

Others:

Carvin Amps

Bugera 1960

Hiwatt DR Series

NOTE FOR USING THE MOD WITH HIGHER-GAIN AMPS:

With amps such as those by Friedman, Mesa, and Soldano, it may seem counterintuitive to consider using our mods. However, our mods insert gain in an amp’s LATER stages, so what it enables is the ability to reduce the gain at the initial preamp front end control panel and get more articulation and/or put the amp in the “sweet spot” by not overusing its initial gain. Preamp gain controls generally don’t sound good in amps when they are maxed as they become loose/flubby. So by reducing the initial preamp gain on the amp but then adding the mod “downstream” in the circuit at the tone stack, you can bring back the needed sustain while also maintaining your note articulation.  The feel is very different from boosting the entire front end with a pedal though there is absolutely nothing wrong with that approach either.  With our mods, it’s NOT just about “adding more gain” in these applications but rather maintaining definition and note articulation with newly added sustain by the way the mods deploy the gain within the circuit. MANY customers have discovered this application in higher gain amplifiers and are enjoying the results.

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